All The Right Mov(i)es... Speakers Confirmed...
Stuart Worthington
Stuart Worthington is a professional industry consultant with over twenty years experience. He has acted as a small business adviser; consultant and training provider working both directly with private sector clients and via the whole range of public sector agencies in the UK since 1987. Since 1990 he has concentrated on delivering small business advice and learning programmes to the cultural and creative industries, specialising in services to the music industry.
In 1995 he began working in close collaboration with the Music Manager's Forum (the only international trade association of artist managers in the music industry) and became Head of Training and Education for the organisation. In conjunction with this in 1999 he also became Project Manager of 'Manchester City Music Industry Network' an agency established to help facilitate the economic development of the independent music industry in Manchester, NW England.
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Mark Fishlock
Mark Fishlock, Chair of BASCA's Media Executive Committee and composer for TV, radio and other artists.Mark was originally a sound engineer, working with Haircut 100, Modern Romance, Psychic TV, Juliet Roberts, Dave Ball and the film director Derek Jarman. His work includes television (Flesh and Blood, The Adventure Series, Eldorado, The Wars of the Roses), video (Heart of the Nation, Patrick Moore's Guide to Astronomy, Paul McKenna's Hypnosis series, A Thin Red Line), radio, library music and commercials. Mark also voiced the telephone-based Bizarre Jukebox for nearly 10 years and in 1998 was co-host of the Accumulator Quiz on Talk Radio. Mark is on the BMR Board.
In 2007 he co-wrote some songs for a new Shakin’ Stevens album. Today he mainly writes children's songs for the English Language Teaching market and over the last 15 years has written or arranged more than 2,000 songs for British and European publishers such as Macmillan, Longman, Zanichelli, and Cornelsen.
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Jonathan Goldstein
Jonathan Goldstein is Chairman of PCAM, the Society for Producers and Composers of Applied Music and an award-winning composer for film, TV and theatre.In advertising has worked extensively for leading ad agencies in the UK and USA, winning a D&AD (British Design and Art Direction) Award for Outstanding Use of Music, two BTA (British Television Advertising) Craft Awards for Best Original Music and an IVCA Silver Award for Best Music.For TV he was nominated for an Ivor Novello Award for his score to the HBO/BBC film, 'Primo', starring Sir Anthony Sher.In his early career he assisted on the orchestrations for 'Cape Fear' and re-recordings of classic film scores including 'Taxi Driver'.
He has scored numerous shorts including the BAFTA-nominated ‘Candy Bar Kid’.
For theatre he has composed extensively for the Royal Shakespeare Company and Royal National Theatre working with Sir Trevor Nunn, Sir Peter Hall, Sir Ian McKellen and Sir Anthony Sher. West End theatre credits include 'King Lear' at the Albery Theatre, starring Corin Redgrave.He is He graduated with a first-class honours degree in music from Birmingham University.
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Amelia Hartley
Amelia has been Music Supervisor at Endemol UK for over 10 years and is responsible for all music use across the group, including all licensing, blanket agreement negotiation, commissioning and publishing.
She has music supervised over 30,000 hrs of content across all broadcast platforms with credits including the iTunes Festival, Big Brother series 1-10, Party in the Park, The Brit Awards, UK Music Hall of Fame, The Pepsi Chart Show, The Orange British Academy Film Awards as well as many others. Amelia has music produced Fame Academy I & II, Comic Relief Does Fame Academy I, II and III and the One and Only for the BBC.
Working with all the major broadcasters in the UK and around the world, Amelia has been at the forefront of blanket negotiations with rights owners in the UK and has worked with many brands such as itunes, Nokia and Vodafone on creating music content for broadcast.
